Dr. Weevil

Pedantry, Poetry, Politics, and Pie

Contact me:

E-mail: (turn it backwards)
gro.liveewrd@liveewrd
Any e-mail sent to this site is fair game for quotation in full or in part, with or without refutation, abuse, and cruel mockery of the spelling, style, and syntax, unless the writer specifically asks not to be quoted. Even in that case, if the e-mail is slanderous or offensive, I may and will feel free to print it and hold it up to ridicule. You know who you are, and you have been warned.

Testimonials:

Anonymous student evaluation in Latin 102:
“God-like and unimprovable . . . can destroy small-minded creatures with a single thought”

The Safety Valve:
“the Abominable Dr. Weevil”

James Lileks:
“adamantine nuggets of erudition”

Bjørn Stærk:
“first up against the wall” (one of only 22 on his Stalinist hit-list)

Pejman Yousefzadeh:
“I find the bug drawings . . . creepy and worrisome”

Robin Goodfellow:
“kinda newsy / kinda thinky”

Pseudo-Hesiod:
“petty, small-minded, pinched, and boorish”

Silflay Hraka:
“pitch, turpentine and rosewater”

Max Sawicky:
“rude, unedifying, and unamusing”

Protein Wisdom:
“urbane and erudite”

Noam Chomsky:
“Stalinist methods of argument”

July 2007

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Monday: July 30, 2007

What I’ve Been Watching (IV)

Filed under:

What I've Been Watching

— site admin @ 11:19 PM GMT-0500

In honor of Ingmar Bergman’s death, announced today, I watched the first movie he directed, Crisis (Kris, 1946):

Verdict: gripping. My only complaint is that the opening voice-over seemed to be laying it on a bit thick in describing the idyllicness (idyllicity?) of the small town in which most of the movie is set. Once the characters started talking I was sucked in. Now I can’t decide whether to watch it again or to watch the next ones in the Early Bergman box. I suppose the latter would be more sensible.

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What I’ve Been Watching (III)

Filed under:

— site admin @ 11:17 PM GMT-0500

Puccini’s Gianni Schicchi, the 2004 Glyndebourne production:

I’ve seen all of Il Trittico once before (on DVD) and found Il Tabarro a terrible bore, Suor Angelica only intermittently interesting, mostly in the bits of church music, and Gianni Schicchi thoroughly entertaining. I wonder why Puccini didn’t do more comedies.

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